It ended in Joan’s promising to introduce her to discreet theatrical friends who would tell her of cosmetics less injurious to the skin, and advise her generally in the ancient and proper art of “making up.” And suddenly there burst a song. It was like nothing Joan had ever heard before. So clear and loud and near that all the night seemed filled with harmony. It sank into a tender yearning cry throbbing with passionate desire, and then it rose again in thrilling ecstasy: a song of hope, of victory.!

“Tell me about her,” she said. “I never knew she had been an actress.” Joan was about to reply when the maid’s announcement of “Mrs. Denton” postponed the discussion.

“You looked so young,” he answered. “I had always had the idea that it was up to the old people to put the world to rights—that all I had to do was to look after myself. It came to me suddenly while you were talking to me—I mean while I was reading you: that if you were worrying yourself about it, I’d got to come in, too—that it would be mean of me not to. It wasn’t like being preached to. It was somebody calling for help.” “It makes me laugh,” he was saying, “all this newspaper talk. Every nation, properly led, fights bravely. It is the male instinct. Women go into hysterics about it, because it has not been given them. I have the Croix de Guerre with all three leaves, and I haven’t half the courage of my dog, who weighs twelve kilos, and would face a regiment by himself. Why, a game cock has got more than the best of us. It’s the man who doesn’t think, who can’t think, who has the most courage—who imagines nothing, but just goes forward with his head down, like a bull. There is, of course, a real courage. When you are by yourself, and have to do something in cold blood. But the courage required for rushing forward, shouting and yelling with a lot of other fellows—why, it would take a hundred times more pluck to turn back.” “That’s the idea,” answered Flossie; “a heart to heart talk between you and me, and nobody else. Half-past four. Don’t forget.”